- 正在播放《欧洲的某个地方》DVD中字 - 量子
- 提醒不要轻易相信视频中的任何广告，谨防上当受骗
- 技巧如遇视频无法播放或加载速度慢，可尝试切换播放节点或者切换解析
- 收藏全网影视网址：dy.aiaide.cc / dy.aiaide.cc ,记得收藏哟～
剧情：
Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
收起
相关影片
2025
剧情片
大陆
HD
2023
剧情片
其它
Martinez, a lonely accountant who really prizes his daily monotony, is pushed by his hierarchy to re
HD
2024
剧情片
台湾
HD
2024
剧情片
香港
HD
HD
2025
剧情片
大陆
TC
2025
剧情片
大陆
HD
2025
剧情片
英国
HD
2024
剧情片
日本
HD
2024
剧情片
日本
HD
2024
剧情片
美国
莉亚一直深爱着她的多年男友米洛，直到她对他们的新室友布里安娜产生了感情。但当米洛发现他们偷情，而布里安娜失踪时，事情发生了戏剧性的转变。布里安娜气势汹汹的 "干爹 "成了头号嫌疑人
HD
2025
剧情片
大陆
HD
2025
剧情片
美国
塔伦·埃哲顿 安娜·索菲亚·海格尔 杰米·伯纳黛特 Goldie Tom Kiko Sanchez Loren Anthony 杨罗布 敖德萨·阿德隆 大卫·莱昂斯 崔维斯·汉默 Rebecca Hill Casey Conrad R. Padilla 埃德加·达马提安 约翰·卡洛·林奇 马特·罗扎克 基思·雅各 圣地亚哥·瑟甘拉 瑞恩·德昆塔尔 安迪·卡斯特利奇 弗雷迪·马丁内斯
“蛋蛋”在片中饰演出狱后意在改过自新的奈特，然而他曾在狱中效力的黑帮却通过暗杀其家人来进行报复。为此，他带上自己几乎不认识的11岁女儿开始逃亡。在整个求生过程中，男主看着一位胆小的女孩如何变成一股不可
HD
2003
剧情片
俄罗斯
安德烈·薛提宁 阿里克谢·尼穆斯霍夫 Aleksandr Razbash Fyodor Lavrov Marina Zasukhina Anna Aleksakhina Jaime Freitas João Gonçalves Svetlana Svirko
本片讲述了一对父子之间朦胧迷离的感情。阿列克谢（阿里克谢·尼穆斯霍夫 Aleksei Nejmyshev 饰）的父亲（安德烈·薛提宁 Andrei Shchetinin 饰）是一个退伍军人，父子二人相
HD
正在热播
更多
2022
剧情片
大陆
独家推荐
HD
2023
科幻片
美国
独家推荐
HD
2023
动作片
大陆
独家推荐
费翔 李雪健 黄渤 于适 陈牧驰 娜然 此沙 武亚凡 夏雨 袁泉 王洛勇 侯雯元 黄曦彦 李昀锐 杨玏 陈坤 许还山 高曙光 冯绍峰 杨立新 丁勇岱 高冬平 徐冲 韩鹏翼 单敬尧 吴汉坤 百力嘎 刘乐 许翔 刘涵 徐菲 孙睿 耿业庭 金志浩 屈愉超 黄涛 樊汶东 姜宝成 阿仁 米铁增 僧格仁钦 马文忠 宁文彤 张经伟 杨添皓 李泽宇 夏晨旭 宋宁峰 俞颖 吴超 杨大鹏 赵磊 张振煊 宋渡宇 文波 图门巴雅尔 慕晓博 春晓 其勒木格 张雪菡 钱波 巴雅尔图 吴兴国 那尔那茜 刘潮 张艺泷 孙煌辰 艾力江·
商王殷寿（费翔 饰）勾结狐妖妲己（娜然 饰），暴虐无道，引发天谴。昆仑仙人姜子牙（黄渤 饰）携“封神榜”下山，寻找天下共主，以救苍生。西伯侯之子姬发（于适 饰）逐渐发现殷寿的本来面目，反出朝歌。各
HD
2023
动漫
大陆
独家推荐
HD
2023
国产剧
大陆
独家推荐
更新至第13集
2023
国产剧
大陆
热播
更新至第27集
2023
国产剧
大陆
热播
更新至第17集
2023
国产剧
大陆
热播
更新至第33集
2023
国产剧
大陆
热播
更新至第14集
2023
国产剧
大陆
热播
更新至第21集
2023
国产剧
大陆
热播
更新至第28集
